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Thea writting review 10 ppt
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Mô tả chi tiết
A “U” essay is a writing sample that fails because
of one or more of the following:
■ failure to address the assigned topic
■ illegibility
■ written primarily in a language other than
English
■ length insufficient to score
A “B” essay is a writing sample left completely
blank (that is, the test-taker did not respond at all).
Following are examples of scored writing samples. (Note: There are some deliberate errors in all the
essays.)
Sample “4” essay
Courage and cowardice seem like absolutes. We are
often quick to label other people, or ourselves, either
“brave” or “timid,” “courageous,” or “cowardly.”
However, one bright afternoon on a river deep in the
wilds of the Ozark mountains, I learned that these
qualities are as changeable as mercury.
During a cross-country drive, my friend Nina
and I decided to stop at a campsite in Missouri and
spend the afternoon on a float trip down Big Piney
River, 14 miles through the wilderness. We rented a
canoe and paddled happily off.
Things went fine—for the first seven or eight
miles. We gazed at the overhanging bluffs, commented on the wonderful variety of trees (it was
spring, and the dogwood was in bloom), and marveled at the clarity of the water. Then, in approaching a bend in the river (which we later learned was
called “Devil’s Elbow”) the current suddenly swept
us in toward the bank, underneath the low-hanging
branches of a weeping willow. The canoe tipped
over and I was pulled under, my foot caught for just
a few seconds on the submerged roots of the willow.
Just as I surfaced, taking my first frantic gulp of air,
I saw the canoe sweeping out, upright again, but
empty, and Nina frantically swimming after it.
I knew I should help but I was petrified and
hung my head in shame as I let my friend brave the
treacherous rapids and haul the canoe back onto
the gravel bar, while I stood by cravenly.
Then came the scream. Startled, I glanced up
to see Nina, both hands over her eyes, dash off the
gravel bar and back into the water. I gazed down into
the canoe to see, coiled in the bottom of it, the
unmistakable, black-and-brown, checkerboard-pattered form of a copperhead snake. It had evidently
been sunning itself peacefully on the weeping willow
branch when we passed by underneath.
I don’t know exactly why. but the supposedly
inborn terror of snakes is something that has passed
me by completely. I actually find them rather charming in a scaly sort of way.
Nina was still screaming, near hysterics: “Kill
it!” But I was calm in a way that must have seemed
smug. “We’re in its home, it’s not in ours,” I
informed her. And gently I prodded it with the oar
until it reared up, slithered over the side of the
canoe, and raced away—terrified, itself—into the
underbrush.
Later that night, in our cozy, safe motel room,
we agreed that we each had cold chills thinking
about what might have happened. Still, I learned
something important from the ordeal. I know that,
had we encountered only the rapids, I might have
come away ashamed, labeling myself a coward, and
had we encountered only the snake, Nina might
have done the same. And I also know that neither of
us will ever again be quite so apt to brand another
person as lacking courage. Because we will always
know that, just around the corner, may be the snake
or the bend in the river or the figure in the shadows
or something else as yet unanticipated, that will
cause our own blood to freeze.
–THEA PRACTICE EXAM 2–
235