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Mô tả chi tiết
3. 1/2-Phase Mobius Strip: ¨ (a) The line will meet itself; there is just
1 line, and therefore this Mobius strip has only side. (b) Cutting ¨
down the middle results in a single ‘‘new’’ strip twice as long and
1/2 as wide; further, the new strip is non-Mobius. (c) When cut ¨
down the middle, the new non-Mobius strip splits into 2 strips ¨
that are linked together.
4. 1/3-Phase Mobius Strip: ¨ (a) The continuous line will miss itself on
the ‘‘first pass,’’ which is when you have gone all the way around
the paper. But it will meet itself on the ‘‘second pass.’’ (b) When cut
1/3 of the way in, the result will be a small, ‘‘fat’’ loop interlinked
with a longer, ‘‘narrow’’ loop. The narrow loop is non-Mobius and ¨
the fat loop is Mobius. Further, the fat loop is the center of the ¨
original Mobius strip, and the narrow one is its outside edge. ¨
5. Extension 1: Mobius strips are in common use as conveyor (and ¨
other) belts, because they will, theoretically, last twice as long as
regular belts. The reasoning for this is that the wear is distributed
evenly to all portions of a Mobius belt, whereas a regular belt ¨
wears only on one side.
Puzzlers with Paper 387
Chapter 100
Create a Tessellation
Grades 4–8
× Total group activity
× Cooperative activity
× Independent activity
× Concrete/manipulative activity
× Visual/pictorial activity
× Abstract procedure
Why Do It:
This project allows students to explore regular tessellations
and then create M. C. Escher–type tessellations of their own.
M. C. Escher, a Dutch artist who lived from 1898 to 1972,
created drawings of interlocking geometric patterns (or tessellations).
You Will Need:
Each student will require a large sheet of light-colored drawing or construction paper that is fairly stiff; a small square
of tagboard (about file-folder weight) measuring 2-1/2 inches
on a side; tape; pencils; scissors; rulers; and colored markers.
Some examples of Escher-type tessellations or reproductions
of Escher’s work may also prove to be helpful. (You can find
examples by going online to http://images.google.com and
typing in M. C. Escher).
How To Do It:
1. A tessellation of a geometric plane is the filling of that
plane with repetitions of figures in such a way that no
figures overlap and there are no gaps. With this information, students are to search out and explore the
many regular tessellations that are found in everyday
388
locations. Such everyday tessellations are most often composed of
regular polygons, including squares, triangles, and hexagons (for
example, ceramic tile patterns on bathroom floors, brick walls, or
chain-link fences).
2. Next, explore some examples of the Escher-type tessellations and
tell the students that they will be learning the logical procedures
for developing similar tessellations of their own. When it is time
to construct the tessellations, it is suggested that the class work
together as they create their first tessellations; that is, the students,
even though they will probably use different designs, should
complete together the steps outlined in the Example.
3. After students have completed their first tessellations, engage them
in a discussion of the ‘‘motion’’ geometry they accomplished—in
this instance, the cutting out of segments and the subsequent
‘‘slide’’ motion to move these to their new locations. (In other
instances of motion geometry, such cut-out segments might be
‘‘flipped,’’ ‘‘turned,’’ ‘‘stretched,’’ or ‘‘shrunk.’’) This discussion,
involving the logic of creating tessellations, should include such
questions as What happens when you ? and
What might happen if ? Finally, allow the participants to try out some of their ideas as they attempt the creation
of more tessellations.
Create a Tessellation 389
Example:
Each student should follow the steps below to create his or her first
tessellation.
C
B
D
A
C
B
D
A
Step 1: Label your tagboard square
with the vertices A, B, C, and D as
shown above.
Step 2: Draw a continuous line that
connects vertex B with vertex C
and cut along that line to get a
cut-out piece.
C
B
D
A
C
B
D
A
Step 3: Slide the cut cut-out piece
around to the opposite side, place
the straight edge BC against AD,
and tape them together.
Step 4: Draw a continuous line that
connects vertex D with vertex C
and cut along that line.
C
B
D
A
Step 5: Slide this cut-out piece
around from the bottom. Place it
on top, with the straight edge DC
against AB, and tape them
together. Your tessellation pattern
is now complete.
Step 6: Place the pattern on your
drawing paper and trace it. Then
slide the pattern (up, down, left, or
right) until it is against a matching
edge and trace again. Continue
until the entire drawing paper is
filled with repeating patterns. You
may use colored markers to
emphasize your tessellation
pattern.
(Note: See the completed bird-like
tessellation on the prior page.)
390 Logical Thinking