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Feminist Narrative Research: opportunities and challenges
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Mô tả chi tiết
FEMINIST
NARRATIVE
RESEARCH
OPPORTUNITIES
and CHALLENGES
Edited by
JO WOODIWISS,
KATE SMITH and
KELLY LOCKWOOD
With a preface by LIZ STANLEY
Feminist Narrative Research
Jo Woodiwiss • Kate Smith • Kelly Lockwood
Editors
Feminist Narrative
Research
Opportunities and Challenges
ISBN 978-1-137-48567-0 ISBN 978-1-137-48568-7 (eBook)
DOI 10.1057/978-1-137-48568-7
Library of Congress Control Number: 2017941077
© The Editor(s) (if applicable) and The Author(s) 2017
The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance
with the Copyright, Designs and Patents Act 1988.
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether
the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of
illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and
transmission or information storage and retrieval, electronic adaptation, computer software, or by similar
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The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication
does not imply, even in the absence of a specific statement, that such names are exempt from the relevant
protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book
are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or
the editors give a warranty, express or implied, with respect to the material contained herein or for any
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Cover image: © Anatoly Vartanov / Alamy Stock Photo
Printed on acid-free paper
This Palgrave Macmillan imprint is published by Springer Nature
The registered company is Macmillan Publishers Ltd.
The registered company address is: The Campus, 4 Crinan Street, London, N1 9XW, United Kingdom
Editors
Jo Woodiwiss
University of Huddersfield
Huddersfield, United Kingdom
Kelly Lockwood
University of Salford
Salford, United Kingdom
Kate Smith
University of Huddersfield
Huddersfield, United Kingdom
This book is dedicated to women’s lives and women’s stories.
vii
Under the Sign of Narrative
Feminist narrative research: opportunities and challenges is a thoughtprovoking book that interestingly addresses important questions concerning the definition and practice of narrative inquiry, feminist narrative
research specifically. Its origins lie in papers presented at the ‘Feminist narrative research: Opportunities and challenges’ symposium, the heir of an
influential series of Narrative and Memory conferences at the University
of Huddersfield in the later 2000s. Its chapters provide a lucid exposition
of a shared approach to feminist narrative research, with this preface offering some reflective thoughts on ideas that the chapters explore in more
depth.
As a body of conceptual and theoretical ideas, as methodological precepts, as a range of methods, and as a corpus of substantive researches,
narrative inquiry has mushroomed over the last few decades (Atkinson
and Delamont 2006). In all these areas there are variant and at times contending positions, with the lack of a dominating core an important part
of its attraction. Significant feminist contributions have been made across
them and been particularly successful in transcending a binary approach
to the theory/research relationship by embracing the situational, contextual, temporal and relational dynamics that make profound differences
to the ‘same’ circumstance or event. This present collection is one of few
Preface: Telling Lives in Feminist
Narrative Inquiry
viii Preface: Telling Lives in Feminist Narrative Inquiry
texts to lay out the grounds of feminist narrative research within the
wider territory, for to date such work (outside of articles) has addressed
narrative inquiry generally rather than developing a specifically feminist approach within it (as in, for instance, Riessman 2008; Stanley and
Temple 2008; Andrews et al. 2013; Stanley 2013a; Squire et al. 2014;
Livholts and Tamboukou 2015). However, narrative inquiry’s security of
intellectual tenure has now been achieved, and a fuller exploration of different analytical and methodological frameworks is constructively occurring as the mark of a coming of age. This is the circumstance in which
Feminist narrative research: opportunities and challenges is published and
will find an enthusiastic readership.
The rapidity with which the ‘narrative turn’ has gained purchase on
intellectual life is notable, to the extent that a defensible claim might
be made that it is ‘the turn of turns’. Under the sign of narrative is clustered those other ‘turns’, concerned with identity, the subject, biography, the making of subjectivities and notions of interiority; and standing
over these are those wider departures that are the linguistic, reflexive and
cultural turns. The backcloth here includes the impact of responses to
epistemological problems, but ontological, political and methodological
issues have had an impact too: what as well as who is the subject, who says
as well as what counts, and by what means?
Narrative forms of inquiry have gained their hold at basis because
people and their lives matter. To paraphrase Ricoeur (1988, p. 118), ‘As
soon as an idea of a debt to…the people of flesh and blood to whom
something really happened…stops giving…research its highest end…[it]
loses its meaning.’ This clarion call sounds across the contributions to
this collection and also narrative research more generally. With whatever
complexities, however anti-referential the realities involved, irrespective
of the performative aspects of research encounters, there is at basis an
irreducible referentiality of lives lived, pain suffered, joy experienced,
deaths died, which is forgotten or bracketed at analytical as well as political and ethical peril.
The narrative subject is a thinking, reflexively aware, and relationally
formed self, although narrated as well as narrating (Cavarero 2000). Such
relational thinking has been central to narrative inquiry from the start
and is now as the air breathed. This has been explored by Plummer as well
Preface: Telling Lives in Feminist Narrative Inquiry ix
as myself and others in the ‘documents of life’ trajectory of narrative work
by eschewing Eurocentric and other claims to an essential subject and
exploring how selves become narratable (Plummer 2001; Stanley 2013a,
b). This avoids schematic pronouncements of fragmentation and instability of the subject by reworking both humanist and posthumanist thinking in focusing inquiries on the grounded, located character of what it is
to be a person, in situations and contexts, and to engage in different kinds
of telling about this. The co-constitutive character of research inquiries
has consequently been brought home in recognition that the narratable
subject helps form, not just influences, research activities. For the contributors to Feminist narrative research: opportunities and challenges, this
is explored in inquiries concerned with the experiences of differently
located groups and individual women that illuminate how this happens
in the details of research practices.
Narrative, Stories, Accounts
What is ‘narrative’? Three broad responses can be noted. The first is a
statement of principle, expressed by Phelan and Rabinowitz (2012, p. 5)
as, ‘We do not believe that there is a single, best definition of narrative.
Rather, any definition…highlights certain characteristics…while obscuring or even effacing others.’ The existence of varied approaches to narrative does not mean that anything goes, but rather encourages examining
fundamental matters about the constitution of narrative and how different approaches produce different interpretations.
The second is that narrative is usefully seen in broad terms as a discursive, emergent, and boundaried event. Phelan and Rabinowitz (2012,
p. 3) describe this as ‘somebody telling somebody else, on some occasion,
and for some purposes, that something happened to someone or something’, a multi-purpose communication involving a teller, an occasioned
telling, and an audience. The relational view of self co-exists with this
relational perspective on narrative, emphasising the dialogical aspects of
research encounters and the co-constitutive character of their products as
well as processes.
x Preface: Telling Lives in Feminist Narrative Inquiry
The third point is that discussions of narrative frequently slip into
comments about story, and therefore it is important to be specific concerning how the story/narrative relationship is perceived. A story is at
basis an account with a plot that is told to make a point (Kearney 2002).
As ‘account’ suggests, stories are motivated, come from a particular point
of view, are rhetorical in character and strive to be persuasive on an audience. And while they may make strong referential (‘something happened’)
claims, this is always complicated and never has a one-to-one relationship
to the happenings being represented.
These and other ideas about narrative and companion terms are helpfully discussed by Squire et al. (2014) in providing guidance through the
terminological maze. So how can such thinking about narrative inquiry
be put into practice? A range of different narrative research approaches
and methodologies exists (personal favourites are Chamberlayne et al.
2000; Riessman 2008; Stanley and Temple 2008; Andrews et al. 2013;
Warhol and Lanser 2015). Standing back from differences of approach
and emphasis, some points stand out.
First, narrative is a communicative event, not a thing; it includes stories, but is not reducible to these; its tellings are (oral, visual, written...)
texts which involve ‘writerly’ (authorial) and ‘readerly’ (co-participant,
audience) dynamics. Such tellings are about ‘something happening’, but
in a non-referential and complicated way. As a consequence, what is told
can neither be taken entirely on trust nor be dismissed, but must be heard
and responded to in judicious and nuanced ways, both in the research
context and subsequent analysis and writing.
Second, telling is an emergent and situational activity. It is engaged in
to produce particular effects by both sides of the researcher/subject relationship as well as being mediated by the unfolding occasion itself. It is
for such reasons that research contexts are recognised as co-constitutive,
and in them small stories meld into big stories and vice versa (Stanley
2010). Researchers consequently need to be analytically attentive to what
telling does in its own terms, not lever its components into categories
that address the researcher’s concerns but not participants’, nor adopt the
ontological fallacy of seeing its content in straightforwardly referential
terms, while also recognising that ‘real world’ references matter.
Preface: Telling Lives in Feminist Narrative Inquiry xi
Third, stories are boundaried, a part of content that also inflects structure, but as an element within the greater whole of a narration. They
are present in many if not all narrative framings, and in Frank’s (2010)
phrase narrative researchers could ‘let them breathe’ more fully, in particular by treating them more analytically (Labov 1997; Stone-Mediatore
2003; Hyvärinen 2008; Patterson 2013; Kim 2015).
Fourth, narrative research encourages focusing analysis on the details
of research texts. This is of course important, while divorcing research
texts from the contexts of their origination and circulation is no longer
an option. Bakhtinian-inspired ideas have had a wide impact regarding
the presence of, in addition to teller and hearer, third-party absent others who also contribute, including through intertextual references. This
has brought acknowledgement that the co-constitutive aspects include
such third parties, and that as text melds into pre-text and post-text, so
the contexts of production, circulation and possible impact need to be
encompassed too (Stanley 2015, 2016).
And fifth, as a result the dynamics of ‘inside’ research encounters
should not be seen in isolation from ‘outside’. With Foucauldian and
feminist influences, this has been responded to, including by bringing
into analytical focus master or dominant narratives and their material
impacts (Stanley 2002, 2008a, b; Andrews 2007). Chapters in Feminist
narrative research: opportunities and challenges amply show that these are
not entirely discursive in character, with such master narratives materially real in their consequences for the women who tell, who respond both
in counter-narratives of resistance, reworking, and repair and in ‘in life’
actions around these.
Telling Lives
The idea of the narratable self conjoins subjectivity and interiority with
relationality and contextuality. Telling about lives is both a material and an
empirical, and also a discursive, activity, for ‘things’ are discursively known
and told about, and ‘words’ have material reference and consequence. Also
self is not entirely discursively constituted, and while having agency, this
is not in circumstances of people’s own making. Consequently exploring
xii Preface: Telling Lives in Feminist Narrative Inquiry
the interconnections, as the contributors to Feminist narrative research:
opportunities and challenges insightfully do, remains central to the ethical and political, and also analytical, debt that feminist researchers owe
to ‘the people of flesh and blood to whom something really happened’
(Ricoeur 1988, p. 118).
In practical terms, people telling in research contexts results in ‘stuff’—
what is told about the things that happened—that has to be analytically grappled with. In thinking about this, Haraway’s (1988) comments
about partial perspectives and the politics of location remain pertinent.
In the event of telling, what is told during it and what researchers do
with it have locational aspects and are not done from a god’s-eye position.
Perspectives on these matters are consequently necessarily partial and
have performative aspects, and there are clearly important implications
here for feminist narrative inquiry (Livholts and Tamboukou 2015).
‘Who tells’ is complicated. There will have been different or competing tellings in the originating events, as well as a reflexively aware person
telling again in the different time and place of research, and an also reflexively aware researcher analysing both. Feminist thinking about researcher
reflexivity is grounded in feminist ethics and politics and insists that
research is not ‘news from nowhere’, but is itself a grounded, located
and partial set of activities and outcomes. It also emphasises an analytical
responsibility, of helping make feminist research more accountable in the
sense of promoting readers’ active engagement with arguments, conclusions drawn, and the data these are predicated upon.
The feminist narrative inquiry resistant to abstract formulations of
narrative theory has occurred in this context, recognising that, no matter the certainties of the instructional voice, on the particular day, in
the specific event, with the particular people, it pans out rather differently. The contributing chapters of Feminist narrative research: opportunities and challenges push the point home in interesting ways, particularly
illuminatingly in their analyses of master or dominant narratives and in
recognising that different researchers might organise differently, respond
differently, analyse differently.
Preface: Telling Lives in Feminist Narrative Inquiry xiii
Feminist Approaches to Narrative Inquiry
As noted earlier, the contributions of feminist thought to narrative inquiry
cannot be disaggregated from the development of the narrative turn more
generally, including because many feminist contributions have not had
the ‘f word’ in their titles. However, times change, and the time is ripe for
a more expansionist approach from feminist narrative scholars in setting
out key ideas and practices and offering an array of research exemplars,
and establishing a distinctively visible presence within narrative inquiry.
There is obviously no single feminist approach to narrative inquiry. For
many feminist literary scholars, for instance, it concerns how texts treat
the intersections of gender with sexuality and race, while emphasising that
gender does not ‘really’ exist but is a virtual construction mediating material practices and textual practices. This text-based narratological approach
is interesting and insightful in its own terms, while perhaps few feminist
social science researchers are likely to so readily disclaim facticity for matters of gender when counter-narratives are articulated around the speakers’
experiences of the material as well as discursive realities of imprisonment,
assault, and rape and dominant narratives of these. Feminist narrative
research: opportunities and challenges is an exemplar here.
My own work in the framework of narrative inquiry, some referenced
earlier, has not been as a ‘convert’ in the strong sense but as a fellowtraveller. Its ideas and tools are very useful for some of my research concerns, less helpful for others, while certainly I endeavour to embed the
ideas sketched above in my research and writing practices. However, where
necessary its tools are broken and re-made to suit investigative needs. In
particular, I find the concept of narrative troublesome, and conclude no
one to date has fully get to grips with its constitution and boundaries, a
very different situation from the substantial and satisfactory grounding of
story. As a result, my work has focused on investigations of the plethora
of small stories that interface with and help form hegemonic aspects of
the big stories of public and dominant narratives, including regarding
serial sexual murder, Afrikaner nationalism, ‘race’ and apartheid, with
the small/big story distinction of some narrative work being untenable
in these contexts.
xiv Preface: Telling Lives in Feminist Narrative Inquiry
In this sense the focus has been, to simplify, where the power is—on,
for instance, men as oppressive individuals and collectivities, on imperial
bureaucrats and nationalist political figures, on white people representing their partial perspectives on the world. It has not been concerned
with the counter-narratives (or stories) of women as victims, of ordinary
members of society, of black people, but with those who have dominating presence in these social formations. In addition, I have been drawn
to researching the past beyond direct memory because of the extra disciplining this gives to the interpretations of researchers. In the same spirit,
it has been documents of life, people’s and groups’ self-representations,
that have engaged me, not researcher-designed kinds of data because I
view these as fixing the books from the outset, with the methodological
approach used a documentary analysis of the relationship between representational text and context.
There is considerable overlap here with the work and approach delineated in Feminist narrative research: opportunities and challenges, in particular concerning dominant narratives and their impacts and researcher
reflexivity, and also points of difference around who is the subject and
what kind of telling the research is concerned with. What is most shared
is a commitment to a feminist politics, ethics, and research agenda.
Feminist narrative research: opportunities and challenges has a distinctive approach to the conjunction of feminism and narrative, so its articulation of specifically feminist aspects of this is worth underlining. Its
chapters advance a feminist political agenda and draw especially though
not exclusively on feminist theoretical, methodological and other literatures. They investigate research topics concerned with gender troubles,
with women’s accounts of experiencing these being their focus. They
work with interview data in particular, concerning present-time events
and circumstances. Wider matters of context are recognised with regard
to the interpolations of personal and master or dominant narratives,
and their subjects are positioned as neither victims nor heroines but as
agentic within constraints that are given close analytical attention. The
co-constitutive aspects of research encounters are recognised, with particular attention to how researcher reflexivity plays out. Some of the
chapters also significantly draw—indeed in a foundational way—on the
‘Listening Guide’ originating in the work of Carol Gilligan and developed
Preface: Telling Lives in Feminist Narrative Inquiry xv
subsequently with productive outcomes, including herein. The result
makes for ‘a collection’ in the strong sense of providing a specific take on
feminist narrative inquiry, one with considerable coherence and contemporary relevance. Read on!
Acknowledgements The UK’s ESRC has funded two research projects with a
feminist narrative basis that underpin the discussion here, the Olive Schreiner
Letters Project (RES-062-23-1286) and Whites Writing Whiteness (ES
J022977/1). The ESRC’s support is gratefully acknowledged.
Edinburgh, UK Liz Stanley
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