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denotations and connotations of colours in english and vietnamese
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i
I certify that all the material in this study which is not my own work has been identified and
acknowledged, and that no material is included for which a degree has already been conferred
upon me.
Signature of the candidate:
ii
Writing a dissertation is not just a matter of getting the work done efficiently and with
good input-output ratio, for me it has been much about finding my place in the matrix of
different research traditions and people doing that research. I feel very fortunate to have come
across and made friends with a large number of kind, bright and encouraging people during
my research.
This work would never have been possible without the encouragement and support
from my supervisor, Assoc. Prof. Dr. Nguyen Quang. I have been extremely lucky to have
him as my mentor and guide in writing this thesis.
I am also indebted to all my lecturers at the University for their precious knowledge,
useful lectures in linguistics, which lay the foundation for this study.
Lastly, I would like to thank the most important people in my life, my family and
friends. I am forever grateful for my parents, who have given me their unconditional support
and provided me with the feeling that I am free and capable to pursue any goal in life that I set
my mind.
iii
This paper is on denotations and connotations of colours in English and Vietnamese from a
cross-cultural perspective. The author tries to cover denotations and connotations of colours
across cultures. Then, a preliminary contrastive analysis between the two systems is made
with eleven basic colour terms in English and nine in Vietnamese. They are differentiated in
terms of meanings, collocations and symnonyms.
What is to be presented in this paper accounts for only a fraction of similarities and
differences between the two systems of colour terms in English and Vietnamese. Hopefully,
this will pave the way for further research.
iv
Declaration................................................................................................................................. i
Acknowledgements...................................................................................................................ii
Abstracts ..................................................................................................................................iii
Table of contents...................................................................................................................... iv
Part 1: Introduction ................................................................................................................. 1
I. Rationale: ............................................................................................................................ 1
II. Aims of the study:.............................................................................................................. 2
III. Scope of the study: ........................................................................................................... 2
IV. Methods of the study:....................................................................................................... 3
V. Design of the study:........................................................................................................... 3
Part 2: Development................................................................................................................. 4
Chapter I. Review of Literature.............................................................................................. 4
I. 1. What culture? .............................................................................................................. 4
I. 2. What denotations and connotations? ........................................................................ x5
I. 3. Denotations and connotations of colours across cultures ........................................... 9
Chapter II. Denotations and connotations of colours in Vietnamese and English............... 18
II. 1. Black (en): ............................................................................................................. 19
II. 2. White (trng): .......................................................................................................... 21
II. 3. Blue (xanh da tri):.................................................................................................. 24
II. 4. Green (xanh lá cây): ................................................................................................ 27
II. 5. Red (): .................................................................................................................. 29
II. 6. Pink (hng): ............................................................................................................. 31
II. 7. Yellow (vàng):......................................................................................................... 33
II. 8. Orange (cam): .......................................................................................................... 36
II. 10. Purple (tím):........................................................................................................... 39
II. 11. Gray (xám):............................................................................................................ 40
v
II. 12. Conclusion:............................................................................................................ 41
Part 3: Conclusion.................................................................................................................. 42
I. Summary of the study: ...................................................................................................... 42
II. Suggestions for avoidance of culture shock .................................................................... 43
References .............................................................................................................................. l45